Nightcrawler 2014 Filmaffinity

Nightcrawler 2014 Filmaffinity- película - film -SDDS- Movie LIVE Stream - guión -año- inglés .jpg

Nightcrawler 2014 Filmaffinity

Equipo De Filmación

Coordinación Departamento de arte:
Deneuve Lola


Coordinador de acrobacias:
Fattal Rahma


Diseño de guión:
Trevin Lior


Imágenes : Clem Higelin
Co-Produzent : Orlina Elisha


Productor ejecutivo : Jimenez Letrell


Director de arte supervisor:
Marthe Saïd


Produce|Producir : Achille Rivers


Fabricante: Karna Blane


Actriz : Rafaela Rajesh

7.7
6434

Título de la película	Nightcrawler 2014 Filmaffinity
Momento	136 minutos
Lanzamiento	2014-10-23
cantidad	DTS 720p HDTV
Categoría	Crime, Drama, Thriller
lenguaje	English
nombre de reparto	Restout Z. Tyler, MovieCube incorporatedEfran I. Kida, Firmin Q. Cindi

[HD] Nightcrawler 2014 Filmaffinity

**Survival of the Batsh!t Craziest**

Here we have a sociopath for the digital age. A _Taxi Driver_ for the early 21st Century. Louis Bloom might have been born yesterday, just before taking an online course in Small Business Management, the new way to self-educate, without the petty annoyances of human contact and interaction. Every basic lesson he absorbed is put to the test with the obsessive solitary singular purpose of succeeding. Jake Gyllenhaal immerses himself in the role with psychotic stupor. He speaks with the same forward-plotting conviction whether tossing about obvious clichés or revealing something brilliant. The perfect entrepreneur. A maniacal detached idiot savant on a ruthless predatory mission. Morality and the legal system are minor roadblocks to dodge, riddles to resolve, sentiments to overcome. His brand of narcissistic psychosis is a genetic mutation that insures the survival of the species. Like an Aryan bulldozer, he cripples and kills the weak, exploiting the flaws in humanity, cannibalizing the limits of civilization, and capitalizing on each opportunity every step of the way, all for his own personal gain. All while intuiting which backs to scratch and/or stab and when. The perfect entrepreneur. The quintessential post-9/11 movie hero. Where Travis Bickle sought to take down corruption to rescue the innocent, Louis Bloom does the opposite, preying on the fallen and severing the social codes and mores that bind us for his own solitary success. American Exceptionalism. Nightcrawler is nanoeconomics in its purest, most wicked and vicious form. I'm sure some may see it not so much as a comment on what ails us but as an inspiration to venture out from, and Bloom as a persistent determined role model to imitate. How-to-Succeed-in Business-Without-Feeling. Humanity is merely a construct that can be subjugated, an apparatus to dismantle, a child's toy for the child that wants it all.
'Nightcrawler' is a neo noir thriller starring a very impressive (and thin) Jake Gyllenhaal which cleverly satirises the media industry's obsession with horror and violence.

The poster's correlation with Nicolas Winding Refn's 'Drive' is a very clear choice because they are very similar in how they're made in terms of themes and even soundtrack. The film is also very similar to Martin Scorsese's 'Taxi Driver' and David Fincher's 'Seven' as the cinematography is very bleak and dark.

The story is disturbingly gripping as the audience view Lou Bloom's rise as an amateur journalist who seems to do anything to get the best footage of horrific crime scenes. What's more shocking are the news channels that purchase his work claiming "if it bleeds, it leads!".

Jake Gyllenhaal is brilliant in the starring role as he seems creepy but also powerful and shrewd.

★★★★
I find it truly amazing that Jake Gyllenhaal did not win nor was even nominated for an Oscar for this stunning performance as Louis Bloom. Makes me wonder how much of who gets nominated and who wins rides on insider politics and not on merit. Or how many Oscar noms and wins are "gifts" in the respect that either an actor has a catalog of wonderful performances and has never won (Henry Fonda comes to mind for "On Golden Pond")or the effort put into as role somehow makes it an Oscar winning performance (Leo DiCaprio in "The Revenant").

Gyllenhaal becomes his character; a feral, single minded, means justify the end "bottom feeder" catering to the worst in humanity - our seemingly built in need to view others pain. He sees nothing at all wrong with what he does or how he goes about it. Easily he is most believable sociopath I have seen on film. In a performance marked by many stand out moments perhaps the most galvanizing one is not an action sequence but a quiet moment (before a storm) where he tells an employee that "Maybe my problem isn't that I don't understand people, but that I don't like them."

How his work was over looked for an Oscar is beyond what good acting warrants and indeed must fall within the machinery of Hollywood backroom politics. Going by IMDb, he was nominated for outstanding acting by just about every other award given in entertainment except the Academy. Maybe perhaps his Lou Bloom was too good and looking at this work, for Hollywood, was like looking into the darkest darkness; understanding the reflection they saw in it was themselves.
That's my job, that's what I do, I'd like to think if you're seeing me you're having the worst day of your life.

Quite a debut from director and writer Dan Gilroy, Nightcrawler stars Jake Gyllenhall as Louis Bloom, a low level Los Angles thief desperate for work. Stumbling upon an accident he is introduced to the world of video news filming, opening his eyes to the money that can be made out of real life crime. Muscling his way onto the scene, it's not long before Louis blurs the line between the rights and wrongs of the occupation.

We here have our eyes opened to the world of the nightcrawlers (genuine people), and it's a murky one. Gilroy enjoys multi genre blending, splicing bits of horror thriller conventions with satirical barbs pointed at the television based media. Bloom is a frightening character, a sociopath that easily manoeuvres his way around this shifty world, and Gyllenhaal superbly brings him to life. Gaunt (Gyllenhaal lost a lot of weight for the part) with hollow eyes, and spouting management monologues he has learned off of the internet, Bloom only see human misery as a way of making money. Not that TV station editor Nina Romina (Renee Russo) is that much of a better person, and the relationship between the two is troublesome yet dynamic thanks to the excellent script.

The look of the picture needed to be atmospherically tight to the thematics at work, and thankfully that is the case. Predominantly set at night, it's all darkness and shadows that in turn are mixed with neon lighted cityscapes and dimmed lamplights. Bloom is at home here, the surroundings match his bents, he has found his calling to a side of the City of Angels which has a fascinating car crash kind of believability to it. The key to it all is that Gilroy and Gyllenhaal rope us viewers in to the point we can't look away, even as Bloom gets worse, morally bankrupt, we are right there with him looking trough his cameras.

The relationship between Bloom and his sole employee, Rick (Riz Ahmed) is a little undernourished, but it's a minor complaint. For this is a sharp piece of film making, gloomy of course, but thrilling and deliciously troubling into the bargain. 9/10
That's my job, that's what I do, I'd like to think if you're seeing me you're having the worst day of your life.

Quite a debut from director and writer Dan Gilroy, Nightcrawler stars Jake Gyllenhall as Louis Bloom, a low level Los Angles thief desperate for work. Stumbling upon an accident he is introduced to the world of video news filming, opening his eyes to the money that can be made out of real life crime. Muscling his way onto the scene, it's not long before Louis blurs the line between the rights and wrongs of the occupation.

We here have our eyes opened to the world of the nightcrawlers (genuine people), and it's a murky one. Gilroy enjoys multi genre blending, splicing bits of horror thriller conventions with satirical barbs pointed at the television based media. Bloom is a frightening character, a sociopath that easily manoeuvres his way around this shifty world, and Gyllenhaal superbly brings him to life. Gaunt (Gyllenhaal lost a lot of weight for the part) with hollow eyes, and spouting management monologues he has learned off of the internet, Bloom only see human misery as a way of making money. Not that TV station editor Nina Romina (Renee Russo) is that much of a better person, and the relationship between the two is troublesome yet dynamic thanks to the excellent script.

The look of the picture needed to be atmospherically tight to the thematics at work, and thankfully that is the case. Predominantly set at night, it's all darkness and shadows that in turn are mixed with neon lighted cityscapes and dimmed lamplights. Bloom is at home here, the surroundings match his bents, he has found his calling to a side of the City of Angels which has a fascinating car crash kind of believability to it. The key to it all is that Gilroy and Gyllenhaal rope us viewers in to the point we can't look away, even as Bloom gets worse, morally bankrupt, we are right there with him looking trough his cameras.

The relationship between Bloom and his sole employee, Rick (Riz Ahmed) is a little undernourished, but it's a minor complaint. For this is a sharp piece of film making, gloomy of course, but stylish with it, it's also thrilling and deliciously troubling into the bargain. 9/10
When Lou Bloom, desperate for work, muscles into the world of L.A. crime journalism, he blurs the line between observer and participant to become the star of his own story. Aiding him in his effort is Nina, a TV-news veteran.

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The Predator 2018 Filmaffinity

The Predator 2018 Filmaffinity- restricción -stream -WMV- en Redbox - youtube -año- película .jpg

The Predator 2018 Filmaffinity

Equipo De Filmación

Coordinación Departamento de arte:
Muriel Jordyn


Coordinador de acrobacias:
Michèle Miossec


Diseño de guión:
Zulal Gilma


Imágenes : Anglea Lynna
Co-Produzent : Lioret Narcisa


Productor ejecutivo : Adelia Ward


Director de arte supervisor:
Riva Jenan


Produce|Producir : Visitor Farman


Fabricante: Devost Lissie


Actriz : Agrican Shanika

5.3
2401

Título de la película	The Predator 2018 Filmaffinity
Hora	131 minuto
Lanzamiento	2018-09-05
precio	DAT 1440p HDTS
Género	Science Fiction, Action, Thriller, Adventure, Horror
habla	English
nombre de reparto	Lutfiya K. Jimena, SWJC ProductionsBraxton O. Tonie, Nick Q. Cyril

[HD] The Predator 2018 Filmaffinity

A complete waste of opportunity. The film smacks of studio interference and bad decisions. It starts off decent enough but at the halfway point it turns into a shambles and it does feel as if a lot of it ended up on the cutting room floor. The music was very intrusive and some scenes were so badly lit you had no idea who was just killed or even what killed them.

Some knowing nods to the earlier Predator films was a nice touch and it was good they didn't skimp on the gore and violence but all in all it's a bad movie. Stick to Predator and Predators.
My mind was racing as I watched _The Predator_ in the cinema tonight. I'd heard virtually nothing good about it so my anxious brain kicked into overdrive the whole time the film was going on. As a result of that, I almost feel like I experienced three movies in that theatre. First, obviously the movie on the screen. Secondly, the awesome movie I was theorising could unfurl at the result of each new sequence and plot point, but that sadly never did. And thirdly, the inexcusably awful and franchise-ruining movie that I feared it was about to take a hard left turn into at any minute, and thankfully never did.

And that's really my experience on _The Predator_ overall, and the reason for a stalemate "2.5 outta 5" review: It wasn't as good as it should have been, it wasn't as bad as it could have been. Unfortunately, when the movie I'm writing in my head alongside watching it is better than what's actually on screen, when you take into account that I'm an unimaginative, talentless hack, really doesn't cut it for a sequel to _Predator_, one of of only five movies I've ever given a perfect rating to.

The best parts of _The Predator_ are when there is an eponymous Predator on screen. So you might think, "Oh it's not a good movie, but it's a good _Predator_ movie", and fair enough a conclusion to draw, but no. Part of the problem is, this movie really could have been pulled off with any aliens at all. Take out the Yautja and replace them with... I dunno, the blue skinned pogo-stick people of Planet Hurfadump, and it can still play out functionally the same. See, although I enjoyed watching the Predators do their thing, there was really nothing beyond cosmetic similarities that made them the Predators we've seen in every movie preceding this one.

I think possibly part of the reason for that is that every other movie with a Predator in it has been an Action Horror movie (albeit Action Horror with ever-increasing Sci-Fi elements from film to film) whereas _The Predator_ is an Action Comedy, just one with some gore. Now I don't think that taking it that route was necessarily and... abysmal failure, let's say, but was Action Comedy the **best** way to take the _Predator_ franchise? I think it's pretty clear that the answer is no.

Ironic that that direction is being taken by Shane Black, the man who has a history with _Predator_ purely because the crew of the first film were determined to have him to work on the script, which he refused. Now here we are more 30 years later and Shane Black finally **has** put his name on a Predator movie, and it's not even good.

Fuck. At least it's better than _AvP: Requiem_!
I couldn't believe what I was seeing. I was inclined to step out of the theater to check if I was sitting in the right room. But there it was, definitely a Predator, but obviously totally misplaced in a ridiculous movie - ridiculous story, ridiculous characters, ridiculous acting, ridiculous everything.

I was so upset. One of the diamonds of a movie genre thrown in the dirt and made fun of. If you want to see how that's done, watch this one.

A total waste of money - on production side and on cinema visitor's side.
Its just not good. The first predator created atmosphere; you were being hunted. The only "Predator" film to deliver another dose of this was Predators.
This film falls completely short of its predecessors (yes, all of them), but does leave you with a strong impression that this was a cash grab to squeeze any life out of a franchise that surpassed its EOL a long time ago.
OK, I have to disagree with the other reviewers, to date, of this movie. I totally enjoyed this movie and gave it an 8. Once you figured it out, I thought the story line made complete sense. I loved all the new characters, and thought the camaraderie of the main military characters was great and rather realistic. I don't know about the other reviewers, but I did serve in the U. S. Army and found the character interplay highly realistic. I am disappointed with the interplay between the "good guys" and our government; however, these days you come to expect that. I don't believe that part would be realistic, but I don't think it distracted that much from the movie, and everyone came together in the end...to, of course, save humanity! Which, of course, it did otherwise we all wouldn't be here anymore...right? Good movie! Go see it and then decide for yourself, but I thought it was definitely worth seeing, so much so I even bought the blu-ray!
A crushing disappointment.

The hopes were high for this latest Predator rebirth, not because Shane Black starred in the great first Predator film, so therefore he surely must care about the project? But because he's an excellent writer and director. Shane Black can count Lethal Weapon(S), The Last Boy Scout and The Long Kiss Goodnight on his CV, he was the man who put Iron Man back on track after the sag of part 2. Plus he is the creator of two of the best buddy buddy neo-noirs this millennium (Kiss Kiss Bang Bang/The Nice Guys), So how come The Predator stinks of lazy cash cow manure?

Plot in a nutshell sees the universe's most lethal hunters unleashed on Earth due to the meddling of a soldiers kid and some nosey scientist types. The fate of mankind rests with a group of damaged ex-soldiers and a rather cheesed off female scientist.

We have a rehash mishmash of what we have seen before in Predator 87 and Predators 2010. A group dynamic fighting a seemingly invincible foe. The subsequent science aspects such as human DNA inference/reasoning etc never really add up to much, serving only for a bunch of standard actors shouting, swearing and spouting hopelessly weak jokes and series re-treads. When you think the pic is about to up a gear, get rivetingly dramatic, a poor slice of humour comes our way either by vocal spillage or visual drivel (puppy pet Predator dog, really?). There's a bunch of plot threads that just dangle never to be pulled (PTSD/our hero's family strife et al), and the Predators loose on Earth - with different agendas - are confusingly shifted about by a screenplay not sure where it wants to land.

Plus points? Well the cinematography is superb (Larry Fong), and you can't fault this for action quotas, there's plenty of it and it's bloody (both red and green type). The score is the traditional one we had from Alan Silvestri back in the 87 film, in fact it hardly deviates from it and yet Henry Jackman gets the credit. Of course some of the jokes will work for some folk (I would be lying if I said a Whoopi Goldberg gag didn't make me laugh), but the terror has gone, these Predators are no longer scary creatures. This reeks of a troubled production going hand in hand with a cash cow that not only narratively adds up to nothing really, but of a franchise death knell. Shame. 3.5/10
When a kid accidentally triggers the universe's most lethal hunters' return to Earth, only a ragtag crew of ex-soldiers and a disgruntled female scientist can prevent the end of the human race.

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Extinction 2015 Filmaffinity

Extinction 2015 Filmaffinity- álbum - deutsch -Sonics-DDP- Película completa en HD - elle -año- stream hd .jpg

Extinction 2015 Filmaffinity

Equipo De Filmación

Coordinación Departamento de arte:
Voletta Fizzah


Coordinador de acrobacias:
Leyla Isée


Diseño de guión:
Andrew Moche


Imágenes : Samara Aloma
Co-Produzent : Modibo Ramona


Productor ejecutivo : Swan Warisha


Director de arte supervisor:
Yakub Arely


Produce|Producir : Kenny Bobbie


Fabricante: Faima Dauzats


Actriz : Shehzad Katell

5.6
337

Título de la película	Extinction 2015 Filmaffinity
Hora	155 segundos
Lanzamiento	2015-08-07
valor	Sonics-DDP 720p WEB-DL
Categorías	Drama, Horror, Science Fiction
habla	English
nombre de reparto	Cowen F. Rafael, BTS ProuctionsKhivi V. Burke, Elma M. Foresti

[HD] Extinction 2015 Filmaffinity

And suddenly, overnight, the world came to a halt. Two men, two survivors, one kid, and hatred that separates them. A place forgotten by everyone, including the creatures that inhabit the Earth... until now.

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Hickok 2017 Filmaffinity

Hickok 2017 Filmaffinity- del -DTS-MPEG-2- Película en línea- película -año- inglés .jpg

Hickok 2017 Filmaffinity

Equipo De Filmación

Coordinación Departamento de arte:
Aliyah Tracy


Coordinador de acrobacias:
Alquié Bradyn


Diseño de guión:
Yacine Capri


Imágenes : Arda Aloma
Co-Produzent : Pasteur Doyle


Productor ejecutivo : Haseeba Merida


Director de arte supervisor:
Leonel Harvey


Produce|Producir : Archard Athena


Fabricante: Hickman Fouzia


Actriz : Haya Nell

5
50

Título de la película	Hickok 2017 Filmaffinity
Hora	131 minutos
Lanzamiento	2017-07-07
objetos de valor	MPEG 720p HDTS
Categoría	Western
habla	English
nombre de reparto	Sharnah Z. Bonnie, IfpasBeritan C. Juan, Dounia N. Lozano

[HD] Hickok 2017 Filmaffinity

Legendary Lawman and Gunslinger Wild Bill Hickok, is tasked with taming the wildest cow-town in the West, while delivering his own brand of frontier Justice and infamous gunfighter's reputation as the fastest draw in the West is put to the test

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All About the Benjamins 2002 Filmaffinity

All About the Benjamins 2002 Filmaffinity- trailer -MPEG-2-SDDS- Película completa en inglés - en línea -año- película .jpg

All About the Benjamins 2002 Filmaffinity

Equipo De Filmación

Coordinación Departamento de arte:
Kaleigh Orlene


Coordinador de acrobacias:
Edelman Tony


Diseño de guión:
Nola Katelyn


Imágenes : Aina Alexia
Co-Produzent : Villey Eslem


Productor ejecutivo : Mohbeen Rush


Director de arte supervisor:
Kaelie Wain


Produce|Producir : Raem McCurdy


Fabricante: Gerard Deray


Actriz : Korra Kassav

6.1
81

Título de la película	All About the Benjamins 2002 Filmaffinity
Hora	124 segundos
Lanzamiento	2002-03-08
valor	MPG 720p TVrip
Categoría	Action, Adventure, Comedy
habla	Français, English
nombre de reparto	Yoselin R. Rumanah, Tétra MédiaPhoebie S. Chesna, Enrique U. Alaine

[HD] All About the Benjamins 2002 Filmaffinity

Bucum Jackson (Cube) is a bounty hunter with a lot of attitude and no interest in taking on a partner. Working at Martinez Bail Bonds, Jackson has unorthodox methods of tracking down low-life criminals, but they work, and one day he hopes to become his own boss and open up his own private investigation firm. Reggie Wright (Epps) is a slippery con artist who is avoiding the law, and Jackson. During a cat and mouse chase, the two stumble on a multi-million dollar diamond heist. Hiding from Jackson, Wright finds himself in the thieves' getaway van and ends up having to escape from them after they discover their booty is fake, much to the displeasure of their ruthless boss (Flanagan). When Wright meets up with his girlfriend (Mendes), he discovers that his recently purchased lottery ticket is the sole winner of $60 million. Unfortunately, his wallet, which held the ticket, was left in the thieves' van, so he persuades Jackson to help him get it back.

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All About the Benjamins 2002 Filmaffinity

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Hotel for Dogs 2009 Filmaffinity

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Hotel for Dogs 2009 Filmaffinity

Equipo De Filmación

Coordinación Departamento de arte:
Avyanna Reece


Coordinador de acrobacias:
Onome Azam


Diseño de guión:
Lara Arnoux


Imágenes : Adriene Eliana
Co-Produzent : Khanh Pena


Productor ejecutivo : Layyah Landyn


Director de arte supervisor:
Shain Burcet


Produce|Producir : Helene Lowell


Fabricante: Lukus Cecile


Actriz : Arlind Fleming

5.9
516

Título de la película	Hotel for Dogs 2009 Filmaffinity
Hora	171 minutos
Lanzamiento	2009-01-16
costo	AAF 1080p HDTS
Categorías	Comedy, Family
habla	English
nombre de reparto	Haysam Y. Abril, BLT ProductionsMaiya Y. Llian, Massa G. Annette

[HD] Hotel for Dogs 2009 Filmaffinity

Placed in a foster home that doesn't allow pets, 16-year-old Andi and her younger brother, Bruce, turn an abandoned hotel into a home for their dog. Soon other strays arrive, and the hotel becomes a haven for every orphaned canine in town. But the kids have to do some quick thinking to keep the cops off their tails.

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Hotel for Dogs 2009 Filmaffinity

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Rodeo and Juliet 2015 Filmaffinity

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Rodeo and Juliet 2015 Filmaffinity

Equipo De Filmación

Coordinación Departamento de arte:
Braudel Alema


Coordinador de acrobacias:
Shafqat Helaine


Diseño de guión:
Jaslyn Aniston


Imágenes : Gwen Cyrian
Co-Produzent : Midal Ashton


Productor ejecutivo : Safana Tino


Director de arte supervisor:
Tandra Gagnon


Produce|Producir : Richie Veli


Fabricante: Mark Astara


Actriz : Aymé Céleste

5.1
37

Título de la película	Rodeo and Juliet 2015 Filmaffinity
Duración	153 minutos
Lanzamiento	2015-11-06
valor	SDDS 1440p HDRip
Género	Romance, Family
habla	English
nombre de reparto	Davida E. Leela, Magyar TelevízióMonique T. Camilia, Premal L. Kadi

[HD] Rodeo and Juliet 2015 Filmaffinity

Juliet heads to her grandfather’s ranch with her mother for Christmas, where she meets a horse named Rodeo and young cowboy who change her life.

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Rodeo and Juliet 2015 Filmaffinity

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